![]() ![]() Broad Cinema: Irene Sharaff’s Transformative Costumes In MEET ME IN ST.Renee Zellweger To Play Judy Garland In (Wait For It) JUDY.Legendary Follows Yellow Brick Road To OZ Television Series.The Kansas sequences were shot in black & white and then dyed to a sepia tone to give an old-fashioned feeling to them. There's no sense of post-production trickery on the shot, just the wonderful expansion of the film's color palette. It's a simple, elegant solution that makes the transition feel seamless. She steps out of the way of the shot and the camera glides through the door, followed by Judy Garland, revealed in her bright blue dress. Koshay walks to the door and opens it, revealing the bursting color of Munchkinland beyond the doorframe. A set was painted sepia tone and Bobie Koshay, Judy Garland's double was outfitted in a sepia dress and given a sepia make-up job. He oversaw the film's extensive reshoots throughout the early months of 1939 (at one point the iconic song Somewhere Over The Rainbow was removed from the film because MGMs execs thought it was too slow, and so Dorothy's Kansas scenes needed to be reshot), and for the transition he used a simple trick. Producer Mervyn LeRoy needed a new way to achieve the transition and he ended up using some good old fashioned sleight of hand. What can be done by a computer crunching numbers now would have taken hundreds of hours and tons of money back in 1939, so MGM abandoned the 'sepia stenciling' concept. Each frame would be sepia-toned by hand, until the door opened and the film transitioned into Technicolor. The initial idea wasn't actually that far off from how it's done today, except it would have been accomplished by hand. And in 1939 a bit of stage magic was needed. Today this scene would be easy to do digitally colors are changed all over the frame in modern films. ![]() It's a moment of true awe, and one of the most brilliant visual moments in the movies. The camera tracks into Oz and Dorothy, now revealed to be wearing a bright blue gingham dress, steps over the threshold. As a sepia-toned Dorothy opens the door of the sepia-toned Gale farnhouse the bursting, vibrant world of Oz explodes in lush and gorgeous color through the doorway. It's one of my favorite movies and one I've seen hundreds of times (twice this year in theaters, the optimal way to experience it), and every time I see it I find the film's transition from black and white* to Technicolor to be one of the most breathtaking moments in cinematic history. It does not store any personal data.This week The Wizard of Oz returns to theaters in a 3D IMAX presentation as part of the film's 75th anniversary. ![]() The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. An additional FREE trick will be sent EVERY Day for the next 4 days. Necessary cookies are absolutely essential for the website to function properly. Your Free trick will be emailed instantly. ![]()
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